Friday, November 12, 2010

54 voices for one Tees Maar Khan song

Sonu Nigam sings in 54 voices for one Tees Maar Khan song


This one’s sure to get Sonu Nigam in the record books. The singer’s recently sung in 54 voices for the same song. No mean feat considering this required him to not only sing in different male voices, but also female voices. Confirming this, Sonu says, “Yes, that is true. I have sung the title track of Tees Maar Khan in 54 voices.” Admitting that it wasn’t easy, Sonu adds, “Maintaining a consistency in the voice and the pitch which is not yours can be very tedious.”

Talking about how the idea originated, the singer revealed that they were trying different versions for the same song and it was music composer Shirish Kunder’s idea to merge all the versions together. “After I recorded several versions, it was difficult to choose any one. So Shirish incorporated all of them in one song. I am the chorus as well as the singer for this one, and all have still managed to sound different,” adds Sonu.

The singer apart from singing in several female voices has sung the song with a Japanese, Spanish, Arabic, French and several such accents. “But the one I enjoyed the most was singing in Akshay’s (Kumar) voice. In fact, I sound so much like him that even Farah couldn’t make out the difference,” he smiles.

So is he aiming for a place in the book of records? “Well, we hadn’t recorded the song with that in mind, but now that we have done it; I think Farah and Shirish are considering sending it for the record books. I don’t think any singer has done that before on the big screen, so yes, I will keep my fingers crossed for this one,” smiles Sonu. Well, that’d be another feather in the Bollywood cap too, so here’s wishing him all the luck.

Source: DNA India

Sunday, October 24, 2010

MOVIE REVIEWS: Rakta Charitra: The movie never before, Ramu is back with a bang

 Kittu Singh reviews Rakta Charitra.


A young man gets drawn into a blood curdling saga of revenge after members of his family are killed in cold blood by power hungry politicians. The young man not only avenges their death but in the process, becomes a messiah for the downtrodden.

Sound familiar? Ram Gopal Varma doles out another concoction of outlaw politics with all his favourite ingredients -- an intense ensemble cast, new south Indian baddies, edgy wide angle camerawork and a trademark repetitive theme track.

Sadly,
Rakta Charitra lacks the taut writing of a Company or the raw reality of Satya
RGV sets the film in a fictional village called Anandpur that has lost all morality and law and is now run over by constantly warring political gundas. Narsimha Reddy is the ruling minister of the area and has a trustworthy right hand man, Veer Bhadra (played by Rajendra Gupta).
Although Veer Bhadra belongs to a lower caste, Narsimha trusts him and delegates a fair amount of power to him. This enrages his brother, Nagmani, who poisons his brother's mind to strip Veer Bhadra of his power.
Veer Bhadra is disgraced by this act and rallies the people of his caste to stand up against the so called upper caste. That is where the politics end and the killings begin.

Nagmani has Veer Bhadra killed, so his son Mangal (Sushant Singh) goes on a killing spree, seeking revenge.
Meanwhile, word is sent out to Veer's other son studying in the city. Pratap Ravi (Vivek Oberoi learns of his father's death and rushes back leaving his estranged lover, Nandini, behind. As a viewer, you hope that the story will begin as Pratap takes an oath to avenge his family. No such luck.

Abimanyu Singh, as Nagmani's barbaric son, Bhuka, plays his role with great gusto and stands out in an otherwise predictable film.

Shatrughan Sinha's entry in the second half brings a spark into proceedings and you hope that the story will finally take off. But it still doesn't.
Shatrughan Sinha plays Shivaji, an actor turned politician who convinces Pratap to join politics and fight his battles as this will keep him above the law.

The film does have four or five memorable scenes that reminds one of RGV's brilliance, like the scene where Pratap tells his to be father-in-law that he is taking his daughter away.
The camerawork is gritty but not spectacular. Art and costume are at best convenient. The background score is loud and tiresome.
Once the film is over you realise that all Rakta Charitra has been is a two hour promotional fare for Rakta Charitra 2. Yes, there is more to come.
Source: http://ads.rediff.com/

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